Description
In this week’s guitar lesson, you’ll learn a very slow and simple minor key blues composition that you can play by yourself (no jam track needed). It’s slow and easy (chord wise) so that you can work on dynamics and nuances that give color to your notes. I’ll give you several examples of ones that I use in a blues to make the phrases sound better.
Part 1 - Free Guitar Lesson
Slow Walkthrough
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Video Tablature Breakdown
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steph_70 says
Hey Brian, new premium member, love the site so far! Good lesson to get started this week.
Ps like the way your glasses match you tele 😉
Michael Allen says
I love these slow blues lessons! Thanks Brian
Jim M says
Sweet !!!
Mark C says
Somehow you just have the perfect feel for what we need—the mark of a great teacher.
Will you giv e a lesson on how to do this acoustically, also?
Also, when I follow the jam track, I’m always a beat or two behind. That would also make a grant lesson, for me at least: How to count in my head. For you it must be instinctive.
Thanks, Brian. Mark
Andrew M says
Great idea. I really struggle with timing, I think a lesson on this would be really helpful.
Claire W says
Fantastic stuff.
Strykerward says
This is a good one to get under the fingers.
Cheers!
Kenneth M says
Brian, thank you so much. This is perfect for , staying in form 1. I love your slow blues lessons. Your teaching style works perfect for me and I am so happy I found your site. Thank you.
Todd F says
Nice one
Lyn C says
Hey, this is fun, and sounds good too. Thanks Brian.
Doug S says
Thank you Brian, love this!
New premium member here and this will be my first lesson with the added features that membership brings!
Cheers!
JoLa says
Fantastic lesson, Brian – so much to learn here!
I am, however, somewhat confused at the timing. The signature is 6/8 – ok, so there are six 8th notes in each measure. The count-in starts “1-click-click, 2-click-click” and when you say “3” – that starts the new (first) measure. Why is it 3 and not 1 at the beginning of the measure?
Also: this is a standalone composition so why does it start with a quarter note pause (in tablature)? What determines that? Why not start on the first beat or the third beat? Does it matter how it’s tabbed out? Or why is it 6/8 time signature and not 4/4 or even something else? Do you just decide before you write a song what time signature it’d be or does it happen organically?
I guess I need a lesson on timing 🙂 😉
Brian says
You could make it 4 /4 time as well – I use 6 / 8 if it’s a really slow tempo like this… just makes it easier to count. as for what beat to start on – you can start on any of them.. there are no rules. I did not even think about time signature, counting, or any of that when I came up with it – it wasn’t until I had to create the tab that I had to figure that stuff out.
Stobes says
Hi Brian, there is something to this. I ‘ve played the tab viewer and just cannot feel the changes. Its like I need a rhyrhm guitar there to pull me to them! Also a rhythm guitar woulod give you the timing which cant 4/4. I dunno! But where i am now with guitar, this is what I need to know?
Bob F says
Brian is there a way to loop this so we can keep playing without having to restart it? Thanks
Dieter S says
Hey Brian,
good lessions every week! I guess I need lessions on timing to o.
Best wishes
cristiano z says
Love it! Thanks
Ashley M says
This one is a killer Brian ! All about subtlety and feel without being difficult to play. Well done !
Emil M says
Great lesson Brian…. challenging enough without being impossible (for me, obviously:)
kevin m says
Another great lesson, as usual…..
Allan says
Like it a lot Brian plenty of scope to improvise cheers
Jerry G says
Great lesson. I tend to play a lot in A m so this lesson is great for me. Rganks
Charles S says
Still working on the lead section of #401 but looking forward !
chris b says
Another great lesson Brian, thank you.
Please do more like this on licks/phrasing, especially as it plays with chord geometry, extracting chord notes, and navigating the fret board. the efficiency of motion in both hands allows more room for expressive tones in and out of chords. adding the rake, and arpeggios to bends, slides, hammer ons and pull offs is just pure sweetness for player and listeners both. it’s like taking a deep breath…
Gerald M says
Pure genius Brian!
Gerald M says
Likes them Tele glasses!
Louis G says
I really like the lesson Bryan. Thanks alot, i really apreciate.
David G says
Brian, how did you know this was exactly what I needed today? Great licks and phrasing. Can never get enough of this kind of material, which always sparks new ideas!
jgreen says
Fun stuff Brian.
The opening call lick was so familiar. Jeff Beck’s Brush With The Blues. And as far as dynamics few like him.
Maxwell E says
Normally way behind with these lessons but this one i was playing something similar in parts whilst noodeling around , looks as though your , lessons are working on me without realising.
Thanks so much Brian for all your lessons ….the best
Michael C says
As always Brian, great lesson! Thanks!
Stobes says
Hi Brian, Would I be right in saying ‘You put a spell on me’…..
Alain L says
Very nice lesson Brian !
Very good for the farniente and to prepare for the climate change under the sun, in a rocking chair !
Alain
Derek N says
Another great lesson! Thanks Brian
Scott R says
Really like this lesson Brian! Thank you…
As you said Dynamics is such a powerful tool to make the playing more interesting and captivating.
I too am a new’ish Premium Member and I sure appreciate the added functionality with the Tabs, JamTracks (on other lessons) and the SoundSlice Tab player.
I’d like to see this as part of a series that builds in complexity with each lesson, but when you take 3-4 weeks of material, we’ve got a nice 48-60 bar composition that sounds great for practice, or can be a go-to with the “play something on your guitar” request. Anyway, leave it with you…
Brian Canadian in the UK says
Another great lesson, i have been working on my Dynamics lately, and its getting there, but Dynamics are really important as a guitar player,
The jam tracks are a great feature being a Premium member,
Thanks for the lesson
RIFF DIGGER says
Sounds so GOOD to the ear. Thx for really driving home the subtle nuances, as they can really make a huge difference. All the best to you. (love the matching eyeglasses to the tint of the guitar) And that’s a nice guitar for sure!
JULIAN C says
Great blues ideas.
Practicing your lesson then being able to comp with my own ideas in the progression really works for me.
Well appreciated.
Thank you Brian
jc
Blaine L says
Is it just me, or have you really been on fire lately? Seems to me that you’ve really been leaning in lately, great stuff. I confess I was surprised when you hit the flat five coming down the pentatonic scale that you didn’t mention the the “blues” scale is just the minor pentatonic with the two flat fives added. Really a classy solo you’ve come up with here.
Haralabos S says
Bellissimo, melodico, efficace, semplice e SEMPRE BLUES. Per pezzi da suonare come questo io sono iscritto al suo canale Maestro. Grazie.
Scott M says
Hi Brian,
I’ve had this problem for a while and finally want to ask you about it. I am not able to access your free lesson when I’m logged in. I get an error message. But I can access everything else just fine. Weird thing is I can access the free lesson from your weekly email. I think this problem is about a month old.
Anyways I learn so much from your lessons. Keep up the good work. Thanks. Scott Marshall
JohnStrat says
Now there is a shed load of blues in this one. These techniques are what gives the edge as Brain makes so clear. Great practice to get them cleaned up and primed for use.
JohnStrat
Mark N says
Perfect lesson for me this Brian. I know my station in these things.
Bruce G says
Hi Brian- another great lesson!
Beginner theory question…. I believe for a minor key, the I, IV, V chords are all minor.. Seems you’ve substituted the D7 (major chord?) for the IV chord. I know there are rules, and then exceptions…any further info on when it’s OK to substitute major for minor or vice versa?
Thanks as always…love my membership!
Bruce G says
Oops…scratch that…it’s a D minor 7.
As Gilda Radner would say…”never mind”
John G says
Thanks Brian. So much colour. The arrangement takes me back to ‘I Wonder’ by Robert Cray off the Strong Persuader album. I’ll now have a go at applying these techniques to that tune.
David D says
Also new member Brian. Glad I finally dug down deep and came up with the scratch. Great being able to pause you and scroll down and check the tab. Makes me a happy man.
Rock on & be well,
Dave in the Adirondacks
Kevin L says
Hello Brian,
I’ve been a premium member for over two years. I’ve played guitar for many many years but never as good as this. I find that the lessons get easier for me as time goes on. I really love playing these blues licks. I love the bending and finding my way around the fret board. You really know how to teach and keep things interesting. If only I had these lessons from you when I was in a rock band in the late 60’s. Now I can hear a passage from an old song and have a good idea of how to play it on the guitar. Thank you so much. Keep it coming. Love it.
Kevin L says
Hi Brian
I’ve been a premium member for over two years. I just left a comment of appreciation. When I went to post it, your site said that it was a duplicate comment and that I said that before.
This is false. Hope this is only a rare error. would like to keep in touch. Didn’t see any of my last comment. Hope this one makes it. Keep the lessons coming. Love them.
Kevin L says
Looks like the comment in question did make it eventually after I posted the last one. Weird.
David G says
Brian, for index finger bends do you ever pull down instead of pushing up? I find that pulling down to bend is easier with the index finger. But since you don’t do it, I wonder if there’s a reason to avoid it…?
chris b says
Hey Brian,
Is it possible to print out the music notation (not the tab pdf)? If so, can it be printed in a larger, easier to read size? I tried using the tools on the bottom of the page and did not find success. I find the notation is easier to read and that I am simultaneously expanding my site reading of music notation as I am working on using the notation+tab+video to learn the composition. my alternate strategy is to cobble together my own music notation, slowly but surely, which is lacking in many ways.
Thanks. btw, your teaching and site are the best tools I’ve ever used for learning the instrument, a happy pursuit renewed.
-cb.
George B says
i WAS HESISTENT AT FIRST ON JOINING FOR YOUR LESSONS . BUT AT 73 YEARS OF AGE I LOVE IT ..I AM JUST WORKING ON THE BLUES LESSON FOR TODAY AND ENJOY THE CAPABALITIES OF SLOW MOTION . IT REALLY HELPS LEARN SOME OF THE FINGERING …THANKS BRIAN …..
alasdair L says
Brian, you are what is keeping me sane. I’m 72 and only started guitar 3 years ago. Recently they have discovered that I have testicular cancer and then last week I had to spend the weekend in hospital with my first ever epileptic attack. Fortunately my wife daughter etc are giving me a lot of support. But my two hours guitar practice every afternoon is unaltered. I only discovered your website a few weeks ago but you and my Spanish (blues!!!) guitar teacher are keeping me enthused. I can’t drink OR drive but thanks to you I feel that at last I am making big steps forward. Your love of music shines through and you communicate it in every lesson. Thanks and thanks again.
Brian says
Thank you Alasdair! I’m glad I can. help
alasdair L says
And how! I really believe I’ll be able to do this one day. And, amongst other things, it’s the great thing about your lessons, you make me believe.
John F says
Hi Brian,
Just had to join as full member after hearing this lesson. This reminds me of a Ten Years After number called ‘No Title’ from the album Stonedhenge. If you’ve never heard it, check it out – it’s got an awesome solo in middle of it.
Looking forward to learning loads more.
Ta.
John.
Ed G says
Hi. Just joined as a Premium member. I’ve been checking out the freebies on YouTube, and I wanted to check it out before I made a commitment for the annual option. As a matter of fact, this lesson on YouTube made me pull the trigger. Two questions. 1- this is Part 1. How do I get to part(s) 2 and more? Second question. Is YouTube the only way to view full screen?
Michael Wise says
Hi Brian ,
Great blues riffffffff for me ,thank you all your help. Mw
alasdair L says
Any suggestions regarding a backing track without guitar for this? Really love this lesson. It’s becoming an obsession of mine – a bit sad really. Thanks!
Sumanto Banerjee says
Joined today as a Premium Member, I am a 48 year old Beginer – Intermediate player. Starting with this lesson, looks like Ill be able to manage it. Looking forward to interesting times ahead. Though I have taken the site-trip and seen around the site, yet, c an someone please guide … What is the best method to follow the site and draw max benefit ?? Search for lessons ?? Or go for the structured Blues Lead Course ?? Tia .
alasdair L says
As with an earlier poster I would like some advice on backing track without guitar for this;to hide my flaws as much as anything!
alasdair L says
Replying to my own post here but Quist Quarantine Blues Jam Slow A minor seems to work fine here: However another question? Within the 6/8 can I leave some longer pauses, for example leaving the occasional bar rest?
steve v says
thank you. super well layed out and translated.
Rich F says
This is such a brilliant lesson, Brian! On the surface, such apparent simplicity, but, underneath, such wonderful subtlety! Always a fantastic ton of learning in each of your great lessons!
Harold V says
Great lesson Brian. It opened my eyes to how to improvise in a minor key. The minor 6th chord was new to me. I really like that sound and how it blends in with the other chords.
Harold V says
Hi Brian. Just a suggestion. I am using a Chromebook and on your site, in order to leave a comment I have to scroll to the bottom and my comment is left there. The comments also show up with the latest dated comments and I would like to see the most recent comments first.
DonVeta says
Dear Brian,
thank you for your incredibly good way of teaching me the blues guitar and all the understanding of the fretboard and the connections. I’m 54 years old and actually didn’t really start until I was 49. Since I was 12, I’ve only ever played open chords.
You have lifted me to a new level of understanding and skill. I love your standalone blues lessons.
I have a request now, can you maybe do a second part to EP402? A matching second composition. I’m not ready to do it myself yet. I can’t even think of a suitable ending.
Maybe you can also say something about continuing composition. I would be very happy about it and I’m a fan of yours… 😉
Warm greetings from Germany
Veta Kietzmann