Description
In this week’s guitar lesson, you’ll learn several chord ideas that you can use in your Blues rhythm or lead. Enjoy!
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Jonathan R says
Love it! Very cool. Thanks, as always, Brian. Keep up the great work.
MANUEL M says
Bien joué Brian mais il n y a pas la partition solfège ,
Jean Luc G says
Ben si !!!
Jean Luc G says
Ben si !!! Au dessus de la tablature…
MANUEL M says
Okay,merci Jean Luc,
vous êtes en France?
MANUEL M says
Bonjour Brian,
Que faites-vous comme figure rythmique à la mesure 15?
Manuel Wollman,
Bill F says
Hey Brian, I love all your lessons. I’m having a problem knowing where to place my fingers for the chords. I’ve been playing a long time but when I try to go through a lesson, I always had to stop and try to search out how to make a court I can’t see things on the board that you put up and I don’t know where to go to always find the cord that you’re using for each lesson, appreciate some direction. Thank you Bill Fretz.
Pierre L says
Lloyd, have mercy! Very nice.
Daniel K says
Wie immer, ausserordentlich gut Brian.
Mike R says
This one is pretty amazing! Certainly going to be one of my favorites. Love all the substitution chords for a simple progression. You can do as many of these as you like I really want to learn these types of substitutions for the I-IV-V progressions. Classic sounds that we all want to know how to play. Thanks
Robert G G says
I agree Mike.Thank you Brian. Just what I wanted and needed. MORE JAZZ.
Best to all…
GibsoNim says
I love the slow blues!!! This lesson is going to be bookmarked. Thank you Brian!!!
Mark H says
Excellent, thanks. My ear was pulling me to the F after the V (E), but that would make it more Thrill Is Gone-ish. Maybe I’ll do both, I think they could both coexist in the song as verse variations.
I’d be happy to hear your take on a second verse, and beyond.
JohnStrat says
Check out EP094
nostril says
Spot on JohnStrat that is a great lesson . No skimming on bars of music to play either.
Many Thanks
Michael Allen says
I am really looking forward to learning this one! Thanks Brian
Jim says
Don’t leave out Ronnie Earl – one of the best!
San Luis Rey says
This sounds awesome Brian! Stevie Ray came to mind first but certainly many more that played in this style. You incorporated them into this sweet sounding lesson that will be a joy to learn this week!
Jim M says
Great lesson, Brian.
JohnStrat says
Hi Brian ,
This is core stuff for me. I love these sorts of slow moody sounds, for me this is the blues.
It takes me back to that wonderful piece yo put out at EP094.
I am looking forward to getting into this. Like others here more please.
JohnStrat
David H says
Oh man! This lesson sounds so awesome. I scrolled down to look at the tabs and start playing with it and there’s nothing there except for the following message:
“This slice has embedding disabled. To fix this, edit the slice to enable embedding.”
First of all, the “Slice” isn’t there at all, so I went and looked at one of my saved lessons and everything is there but I don’t see anywhere to do any editing or selecting of anything.
I tried searching for the topic online and it says more or less the same as above.
Does anybody know how to fix this? I’ve never had this happen before in the 3 or so years I’ve been with Brian on Active Melody.
BTW…I did “Add to my Favorites” thinking maybe it would show up but no luck.
Please help!
Thanks ~ Dave
Martin G says
they fixed it now
Bill says
So good Brian! This is gonna be a favorite lesson for sure.
Glad to hear you mention Duke Robillard, just got to see him two weeks ago out in California at the Redwood Coast Music Festival, highly recommend going out there for it. So many guitar greats in one place!
Russell M says
Very tasty! More like this please
Dale G says
Love the change of pace mellow vibe to this lesson. Always noodled around with these type of chords but was never able to put into a coherent progression to make a decent number. Thanks for helping to put the pieces of the puzzle together and explaining the whys and the wheres as to what I am playing. Lots of light bulbs for sure!
Steve (Ruffcutt) R says
I felt the same way. I noodled around with them but never really got how to bring these is.
fred o says
lol… every week I say,
“ok, this is my favorite” Great stuff
Robert Burlin says
There is no tabs to work with. It says” This slice has embedding disabled. To fix this, edit the slice to enable embedding.” Does anyone know how to edit the slice? I was hoping to practice this tonight. Fun lesson by the way.
Brian says
fixed
Bobs Ultra-339 Electric Guitar Level 2 Vintage Sun says
Brian . When you leave out the bass on the c9 at 38 don’t you have the t bone walker cord?
Bobs Ultra-339 Electric Guitar Level 2 Vintage Sun says
Correction had the wrong sheets ( senior moment) any of the 9 cords as in g9 at2 ect when you remove the bass note it becomes the same cord as the t bone cord
Erik B says
Very nice Brian.
Nick Ll says
Gorgeous!
Roger A says
Hey Brian. I’ve been in a bit of a rut lately with my playing but, as always, you’ve come up with something truly inspirational that has got the wheels turning again. Different chords and cool blues licks – this one alone is worth every penny of my subscription. For me you are without doubt the best online teacher around.
Mark H says
Ori
Mark H says
Originally thought the lesson was overwhelming in complexity but listened to your advice and just tried to have one or two things I could do well. It was great advice and I built up bit by bit and as always learnt a lot.
charjo says
More blues, please. Blues are what brought me in the first place and this is wonderful.
John
Kevin S says
Your biorhythms must be on a triple high, the last few lessons have been fantastic, thanks for putting in the hard work!
Daniel H says
Brian, about the mandolin: do you find that learning/playing mandolin compliments your guitar playing abilities or is the mandolin a totally different animal? I see you included a lick that had a mandolin vibe and you stated as much… which got me wondering. Thanks!
Brian says
Yes, definitely compliments the guitar playing – i use mandolin licks on guitar, and guitar licks on mandolin now.
obie123 says
Learned a lot another 5 times might remember something. Fun lesson tks
Eric F says
Now this is one of my all time favorites. I’d take many more like this one. Excellent!
Paul N says
Though both have had major updates in the last week or so ???
Jack S says
Lately, I’m better appreciating the depth of your musical knowledge and your practicaliity in applying it. I plan to spend much more time integrating this lesson and the application of minor chords into the major chords to up my playing. Thank you Brian.
blues46 says
I sent Brian an email yesterday but have received a response. Hopefully, he will get
this fixed soon or at least let us know he is working on it.
Brian says
this is fixed
Theodore J says
Thank you for this Brian, truly enjoyed this composition… I’m pilfering fom the pilfered.
San Luis Rey says
Oh yeah, Riviera Paradise by SRV intro comes to mind also.
Jennifer Ruby says
The lesson is divine, Brian, thanks. I had a few light bulb moments about the 6th and 9th chords!
Mark N says
That ‘jazzy’ D resolving to the A at the end is just sublime. as soon as I heard it I loved it,
blues46 says
Slice is fixed. Thanks Brian. Nice lesson
Pierre B says
These chord variations (in A) are a great addition to our blues improv toolbox. These new chords seem to limit our bad habit of noodling single notes in A minor pentatonic. Very clever Brian. Thanks!
james w says
Great tips to add to my playing, spicing up what a 1,4,5 arrangement can do! love it!
Paul N says
Another A+ lesson Brian. Such an awesome way to interpret and play the blues!
Dennis F says
Boy, just a gold mine of good stuff here. The key is just to keep working on the various
elements, instead of rushing on to the next things. As Brian says at the end here, you
don’t learn it unless you work it.
Tao says
Thank you Brian! This one is really good! Part II maybe?
KIRK E says
This is great. I’ll never make it sound that good, but I’m sure learning it. Thanks buddy
KIRK E says
Hey, dude that mentioned Riviera Paradise is spot on…
David P says
The ideas in this lesson are amazing. So many ideas to pull out and experiment with. Thank you, Brian
Stephanie T says
Jaw dropping good, thank you 🙂
Andrew Davey says
Great lesson its slowly starting to sink in three steps forward two steps back
Stacey O says
Thanks Brian putting this together Brian. Super helpful in understanding how to slide chords around to achieve a cool effect. I have heard these used a lot but didn’t know how to achieve that sound.
Brad S says
Lots of great ideas … thank you Brian!
Ronald S says
Very cool jazzy blues moves! Thanks Brian!
Michael J says
G’day Brian,
I am in my tenth year on Premium, and still you are amazing! This is gold! Love it!
M.J., Kilmore, Australia.
Andreas B says
Great looking guitar Brian, do you (or someone else here on the forum) knows what kind of green it is? (surf green)
Also the strat in lessen 561, would that be shell pink? Love that one also.
Brian says
the green one is a Danocaster. not sure what color of green that is though – it’s definitely a unique color. the Strat in 561 is a Fender Stratocaster (Journeyman edition) – i think that’s a 2018 or so.
Andreas B says
Thank you for the info Brian! Very nice looking guitars.
Tony T says
Super cool sounding- just so mellow👍👍👍
George A says
Thanks Brian. Your lessons have been layering over my practice routes perfect lately. Thanks you. Any chance you have another Bluegrass Lesson in G coming our way soon? I’m trying to build up my lick library working on timing and phasing (it doesn’t come fast to the old guy in the room). Thanks. Always looking forward to Fridays. George
Barry H says
Neat as always Brian. Thanks
annekaz says
❤️❤️❤️
RIFF DIGGER says
A style that never goes out of style. The slow playback is dreamy, and that alone is worth putting into the vocabulary of arrangements
Brian D says
Hi Brian – love this lesson and the past lessons re finding and using the 6th an 9th chords. But I am missing some foundation understanding on rhythm playing and how / when to use chords.
I understand how chord progressions are identified using the major scale and how to use the numbering system to find the 1, 4 and 5 but my understanding on the timing/use of chords is basically the good old 12 bar blues (4 bars of 1 chord, 2 bars of 4 chord etc..).
Is there an existing lesson that goes into rhythm and chord use that provides some basic rules on how many bars you can use specific chords on ? I understand this is the fundaments of making music and there probably are no rules but even something to challenge/mix up the simple 12 bars blues 🙂
John P says
Great lesson. Any time I hear T Bone Walker I know its going to be some Jazzy Blues. Puts a big smile on me.
Gary C says
Very cool. Always find some takeaway that colors other things I play.
Randal C says
Hey Brian,
I keep trying to watch the one from October 4th on Mixolydian .. and it suggested I go to EP374 .. it keeps asking me to resign in to make sure I’m not a BOT .. I’ve logged out, logged in, X’d it out, resign in and it keeps coming back to that … and for the FREE one … not the paid one .. I can see the paid one but that’s always the 2nd half …
Max d says
Wow! Beautiful lesson. Great to see the accolades coming from all over the world! Wow and Wow agsin! Thank you, Brian
Christian G says
Bonjour
Des diagrammes pour les accords et des notes avec les tablatures nous aideraient beaucoup! Merci
William Y says
It took me most of the week, but I’m starting to figure out the chords.
Nelson K says
Pretty innovative Brian – dig it!
Steve (Ruffcutt) R says
Hi Brian, and thx for another grrreat lesson! What I liked about this one is that there were several lessons in one. The phrasings? that you taught today, can be applied to wherever a person thinks that they can fit in nicely in a jam session or stage. Gave me lots to practice, and once mastered, arms me with an even larger arsenal release of show ponies out to wow the crowd.
Although still learning these off-color chords that I don’t know when you start trailing off into, that brings you to a C#/A9, then go to. and by doing your pinky here you get a A# by adding the finger…..it all starts to sound like French to me. The thing I like about it though is that after the number of times you go off on these, Im actually learning something because on this lesson I was like the next one should be a….and boom! I was right! Yeah!! LoLz.
Last thing, I noticed you do a lot of the same stuff over and over but in different styles and use. Like the mandolin part of this lesson, I heard that in another lesson you taught and that makes me go, oh yeah, I’ve heard and seen that before but a different style. I hope to find it and I think I favorited that lesson, I hope to find it as it was one of my fav lessons and Id like to go over it again to remember in what style it was used then.
Thx Brian, I think your one of the best.
Steven J.
Mike B says
Brilliant lesson Brian. It came just at the right time whilst I’m getting to grips with 6 and 9 chords and learning how to find them and their musical basis. Like many players I’ve noodled round the chord shapes for years but not entirely understanding what they are or how to use them properly. All I knew was they sounded jazzy/bluesy/funky. Thank you!
Mike B.
Bruce A says
Another great lesson with clear explanations of what / why chord tones fit!
Thanks Brian
James D says
Brian (or AM community), any suggestions on pick placement for the tremolo part at18:05? I’m having trouble with the pick slowing up the strum pattern.
Torquil O says
It’s great to get the “lessons” with theory, progressions and notes; but then, it’s a whole nother chapter to try and capture your emotion and nuance! That’s an additional chapter and challenge. Thanks
Randy D says
Hello Brian. I’m in my 60s and have always wanted to learn how to play the blues guitar. I truly appreciate how you present things and make it possible for even a beginner to start playing. Being able isolate sections and slow things down, while staying on pitch is an amazing bit of technology.
Thanks again for all the work you do to produce these lessons.
Randy
blues46 says
Fantastic lesson. I really get into these slow soulful blues. So relaxing. Thanks, Brian.
Gary M says
You are the man! Your comments about light bulbs going off is spot on. Right from the start when you use the A9/C# for the one chord was a, “that’s how they get that sound” moment for me. For me personally, your explanation of where licks are coming from and your teaching tools like being able to slow down and loop sections of a lesson, are the absolute best for learning. I find that often now when watching a lesson, I am recognizing CAGED shapes and where notes and licks come from before you explain it. I doubt that I’ll ever be able to recognize chord shapes and scales as quickly as good players such as yourself, but learning and progress is what it’s all about. Being able to take some licks, triads, double stops… from your lessons and use them over jam tracks in other keys has made my improvisation much improved. Thank you. Keep up the good work.
Graham C says
Hi Brian I love these type of lessons so much that old type of blues is amazing so much fantastic information as normal take care Graham
Michael F says
All the way COOL.