Description
In this week’s guitar lesson, you’ll learn how to play an acoustic blues with no other instrumentation other than a single drum track. Playing along with only a drum has many advantages (discussed in the video).
Part 1 - Free Guitar Lesson
Part 2 - For Premium Members
Only available to premium members.
Register for premium access
Register for premium access
Slow Walkthrough
Only available to premium members.
Register for premium access
Register for premium access
Video Tablature Breakdown
Only available to premium members.
Register for premium access
Register for premium access
You need to be logged in as a premium member to access the tab, MP3 jam tracks, and other assets.
Learn More
Add to "My Favorites"
You need to login or register to bookmark/favorite this content.
Thaddeus W says
Great lesson as always ! Can’t wait to get started.
Robert R says
Love the practical application. Do you use a separate device as the drum or just download an app? I know there are many ways to accomplish this but what do you prefer?
Brian says
I came up with the drum track using Apple Logic “Drummer” – using a percussionist performer and dialing it in to a simple groove.
Loren F says
Hey there Brian, thank you! So, how do you down load the “Apple Logic Drummer”? Is it an app? I use an adaptor with 1/8” TRS to the iLink on my Roland Street Cube for busking and need rhythm.
I am NOT a tech geek, getting there. Got the licks down, just need that “missing” drummer! Any idea?
Loren F says
Oh, got it, it’s an ad for Apple Logic for $199 , like I have. Thanks…
Martin k says
Hi Brian…love your teaching methods…..what model Martin are you playing?…sounds gorgeous
Eddie Mac says
Another great lesson! Some great licks between the major and minor scales. Loved the sound of this!
William H says
Another Homerun Brian
Chris K says
Great lesson Sir
gonna work this one out for sure.
part 2 and slow walk through video are labeled wrong
blues46 says
Brian, You have the titles reversed on the Slow Walkthrough and Part 2 videos.
Good Lesson
James M says
Brian, you are the best out there
Thank you so much!!
Jim M says
Week after week another great lesson and composition. Thank you, Brian.
slopace says
Another winner!
Joe N says
Hi Brian
Great lesson and a wonderful tune. Can’t wait to dig into this one. Puts a smile on your face.
David S says
Brian, This is a fun one as well as all the nuggets in it.Lots easier to play with the drum beat. Fun, fun, Fun.
Theodore J says
Excellent, love the tempo…
Jeff H says
What a Gem! Great lesson, great composition, very clever. So many great licks, I love the lick in Bar 10. So many take aways. Thanks Brian, you really are the best.
Steve says
Great lesson, really hones in those improv skills.
We are going on hols soon and its frustrating as I can only take my concert ukulele, I know this is a guitar channel, but I have also heard you say you sometimes take a ukulele on hols too. Can we do a lesson on say the first 4 open strings of guitar than could also be played on ukulele? there are lots of harmonised runs from each open caged position that would be good to practice and help me get more confident on the ukulele too.
Max d says
Very enjoyed the lesson, thanks Brian.
Gary W says
As I say nearly every week, this is the best one yet! Love the drum track.
I look forward with anticipation to Saturday morning, here in the U.K. , to what you will come up with. I’m never disappointed.
Thank you Brian.
Best, Gary.
MANUEL M says
Bonjour Brian
Vous etes un grand pédagogue et musicien
Manuel
Michael Allen says
I can’t wait to play this one! Thanks Brian
Daniel H says
Love the scale pattern associated withe the E-shape E chord. I think Garcia used to spend a lot of time doing fills in this area of the fret board. It’s a neighborhood I’ve been meaning to practice more in. This lesson is perfect start to that endeavor. It’s like you read my guitar mind Brian. Thank you.
Matt F says
Top of the morning, this lesson lines up with Deep elem blues awesomely. Have a Grateful day (~);}
Bruce G says
Great lesson Brian—thank you for talking about the 7th: how you hear it, think about it, use it to move to the next chord. Exactly what I needed. Great lessons…another reason to look forward to FRIDAYS!
Cheers
Paul N says
Awesome! Thanks!
Charles Q says
Another good one looking forward to learning this one, good job as always, brian
Steve M says
Love it Brian. These acoustic blues lessons are definitely amongst my very favorites. You manage to vary the, so well that I always feel I’m learning something new. This one is particularly good because I feel like I’m learning things very quickly.
Chuck S says
Brain,
Once again, great stuff, but a lot of it beyond my current ability level. I just learn a ton from these things. I really can’t keep up weekly, so I tend to just focus on the Acoustic Stuff that I really like to avoid getting totally frustrated. It takes me a few weeks to get at what you just knock out. I am still working on last week’s TRIAD embellishments and also EP569, which is a really good one.
One question for this one is the jumping from major to minor pentatonic notes every now and then – seems like it has no rhyme or reason other than you just decided to do it and it sounds good?
And oh that little stretch in Bar 6 from the 2nd fret (A) to the 5th fret you do seamlessly using the index and middle fingers – not happening without surgical augmentation(: Even with pinky it is a real tough challenge – and yes, I do all the stretching exercises. Not sure you have a work around for that.
William Y says
I have the same question: when to use Major or Minor Pentatonic over which chord.
Brian says
you use it however you want really – you want happy – use major, want sad or bluesy, use minor…. or just blend them. to blend them, you basically just memorize licks.
Patrick J. G says
The more I listen and play this tune , it becomes trance like. It has everything in it that I need to practice. My finger movement , which this isn’t over complicated ,.Pick my speed up, won’t ever catch up to you Brian, you’re good. Has a great vibe to it ,making it much easier for me to learn. Liking it. Good one Brian.
Mark G says
Another great tune. I’ve recently discovered the video tablature breakdown option. What a great learning tool to be able to loop sections that are problematic at a variety of speeds. Using the focus button to pinpoint the measures I want to work on streamlines things. A great feature on Active Melody! Thank you!
Martin says
Thanks Brian for counting on your lessons. I hadn’t paid enough attention to that forever, just trying to hit the notes but I am now trying to count through them and it’s really making a difference for me.
Malcolm M says
Great lesson Brian.
Paul G says
Enjoying this one….! And I’m only though the first half. :-). Love the last turn around. I’ve been doing variations of this on the 3rd , 2nd, and 1st string, but not up in the bass string area. Like that for variety. Also like the occasional intermixing of minor/major notes. I recall you did a lesson on that a while back which came to mind when I saw this run. Thanks a bunch; so enjoying these lessons past 2 + years and they have made a major difference in my playing. Most of your lessons are exactly at my current talent level.
Ken D says
I loved this lesson. especially the drum track to practice with.
Thanks
Raymond P says
A great lesson with lots of great demos on how to apply the various licks. Thanks Brian
slopace says
This is my favorite of all my favorites Brian! So many awesome and useful licks and tips!
Gary C says
You keep hitting my sweet spot with the blues/country interface. I’m getting more fluent. Slowly. Thanks.
Claude T says
Brian,…,been quietly subscribed for two and a half years. I’ve had teachers for two decades prior with mixed results but found you just at the right time in early 2022. Your consistent Friday posts and dogged referral to the caged concept to keep it all “filed away” as something to draw from in improv has made guitar fun again. I’ve driven my wife “mad” in the past with “reportoire” such as countless hours of Mark Knoffler’s sultans of swing or the endless rasquedos in the flamenco years. Now we just play. I’m just reaching out to say your efforts are appreciated.
Timothy M says
I am a newer subscriber to your site, and I am absolutely loving the lessons.
I have been really working on connecting and using the pentatonic shapes and your lessons really help me to do just that!
Thanks and keep up the great work!
Malcolm D says
Loving this lesson and looking forward in working on this one, much appreciated yet again Brian.
Wade O says
Good day all! Who could forget the ear training lesson!!
Take the lessons as a series starting with the ear training lesson and trust in the process.
For me, everything I have been hearing in my mind has started to translate to the fretboard. Take those little licks and expand on them. And as Brian suggests play them over and over. As you are doing that explore where you can go, one note at a time.
Play a lick. What song do you hear in your head? Expand on that!
Enjoy the music!! Wade
John I says
Another excellent lesson, Brian. And your compositions and phrasing are just so fun to learn and play!
Thank You
jackson w says
Wonderful lesson – fun, and a great stretch for me!
Ian M says
Loved the lesson.
Very interested in your comments on George Formby. What a fabulous musician. When you have mastered the “George Formby thumb roll” (or any of his techniques) could yo do a short lesson on it?
Regards
Ian
Jim T says
Tabs are a great help, but actual notes are also great (or even better for learning). I would like to hear you include them (note names). It makes sense to do so.
Jim T
Darrell A says
Brian,
Great lesson… tell us about that Martin,,,000-18 ???? Yr? Sounds great!
Max d says
Brian, a quick query… would it be a lot to ask to add to your videos, two 10 seconds quick advance/repeat ‘buttons’ either side of a stop button in the middle of the screen? It would make it a lot easier for slow-learners like me. If it’s too much, we’ll just have continue to guesstimate sliding the button on the video-progress bar.
Chris W says
If you’re using a desktop computer, you can press the space bar to pause/restart and the left and right arrow keys to go back/forward by a tad.
Michael D says
Love these acoustic blues – spend most of my time on them. I generally memorize and play the hell out them. Since I can’t always remember the entire compositions (or keep up with all the new ones), I’m starting to mix the licks from the various lessons in the same key to create something new. I guess we call that improvising not memorizing… Can’t thank you enough
Brad S says
Another great lesson, Brian! The practicality is great and I am finding that I also use this information when I am playing bass in our band. Lately I have been playing along with a Beat Buddy and it has definitely is improving my playing, just like you said.
daniel M says
I especially like your discussions about how the major and minor pentatonic in different positions apply. Also finding the flat 7th while transitioning to the 4 chord.
Michael K says
There is always some little tidbit of information Brain points out in a slightly different way that supports many previous lessons. I just cannot get enough of this. I prefer acoustic style lessons so this one is up my alley. Well done. I’m still trying to iron out the rough spots on EP569. That one is really worth the practice time.
Tom M says
Acoustic blues and the 4th and a deck – great combination for me. I love the mix of lessons and acoustic/electric. The best always…..
Ray V says
I regularly practice the scales and a couple modes in all 5 CAGED positions, but this lesson reminded me that there is a 6th position — the one that has open strings due to the end of the fretboard.
Alan L says
I’ve been playing this on my electric, such a great groove! 👍
Dave B says
Great Lesson Keep the drum/guitar thing coming got more from this than the last few it is my style!!!
Guruvey says
Thanx Brian! This lesson was a gift. It picked Me up and out of downish mood.
Jeff C says
Great stuff Brian. It’s good to be back playing after a little over a year off when I broke my middle finger on my fretting hand playing with around with my grandson. This lesson is really making me work my fingers back in shape. Thanks!
Ronald S says
Brian-very cool lesson! Great tips for blending major and minor pentatonic scales esp. with open strings! Thanks.
Ron S.
4258364510128862 D says
Awesome lesson, Brian. Love all the little side lessons you provide while simultaneously teaching the big picture!
Michael H says
Great lesson as always. The only problem I have is I can’t get the slow video to load. The others load fine but not sure what the problem is but I have had this issue in the past only on the 3rd video. Any suggestion would help
Steven K says
Brian, Thanks again. I look forward to spending time with this lesson and the acoustic licks.
Wayne M says
Love this one. Been wanting to learn more acoustic stuff, since I got a PRS se hollow body II Piezo, and a Marshall acoustic amp (as50d). Sounds amazing.
Eric says
Howdee Brian,
This composition of yours and the lesson that goes with are right my alley. I love the nuances, reliefs. It’s not easy but that’s the interesting part this lesson or anything as a matter of fact.
Keep on bringing that good stuff, I’m all for it.
Have a fun day.
Cheerio
Alan M says
Thanks for the details about timing, I find that very helpful.
Billy Ray says
Brian,
You’re an awesome instructor! I’ve been with you several years and have learned so much.
I really like your cool laid back attitude!
It would be nice to have a little insight on the many different guitars you play in your videos.
What a great collection you have.
KEEP UP THE GREAT WORK!
Regards,
Billy Ray
Martin 000-28 reimagined
Fender Stratocaster 40th Anniversary
Pap says
Brian, I have really been focussing on timing lately. It seems like the “and” should always be an upstroke. Is this true? I noticed that when you counted out the very first part of this lesson you demonstrated strumming the E chord which (on the tab) is on the “and.” Just trying to make sense of this timing stuff. Thanks. Pap
James C says
Fantastic lesson Brian, thanks. Really great to get a sense of how the basic information translates into so much possibility. And to feel like I can do it. I was getting a little overwhelmed with some of the lessons and this one is super accessible. Got me back into it. It also makes me realize how much I’ve learned in the past year or so thanks to you. Light bulbs continue to go off!
One general question: I feel like I’m missing out on some of the subtleties of reading the tablature. I can’t seem to find a lesson on that at active melody, and other online resources are all over the place. Can you possibly point me somewhere for a good tab reading lesson?
James
Philippe G says
Great lesson Brian as always
Mike L says
Hi Brian, Greetings from the UK. Been with you for a few months now and I am really enjoying the lessons. Very detailed and concise even if I have to play them back and forth to ensure I understand not just the notes but the scales and chords that lie beneath them – the WHY. Being a blues fan I especially enjoy the lessons like this one EP575, a really cool piece with a lot of knowledged underpinning the music. Would love more of these stand alone pieces as I for one am learning a great deal and my playing is improving a great deal. Some Delta blues pieces would be a great edition to this lesson format.
Many thanks and best wishes,
Mike
Richard T says
My first lesson. Very good.
Is it possible to include the notation on the downloadable TAB sheet? I find it helps a lot with timing.