Description
In this week’s guitar lesson, you’ll learn how to play a ragtime blues composition by yourself on guitar (no jam track). As you play through the chords, you’ll learn a fill lick that corresponds with each chord. This sounds great at any tempo and works on acoustic or electric guitar.
Part 1 - Free Guitar Lesson
Part 2 - For Premium Members
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Slow Walk-Through
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Video Tablature Breakdown
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Ian M says
Love that guitar. Is that the ’48 you can’t put down?
Brian says
That’s the one!
charleydelta says
Is that 1948 Martin a precursor to the Martin J-40 that appeared a generation or so later?
Joshua C says
I wish you would do more ragtime compositions , I learn so much from these and I feel it’s a lost art . Thanks for sharing this one !
thomokel says
Hi Brian,
In the future would you do a “cat-squirrel” rhythm with a lead lesson?
Thank you,
TOK
JohnStrat says
Brian A wonderful and powerful tone comes off your lovely Martin. The lesson is lots of fun too.
Regards JohnStrat
JohnStrat says
Brian just had a go at the first page of the tab before bedtime and o what a beauty you have put together !
San Luis Rey says
Wow! Your new Martin sounds fantastic. You look happy playing this lesson Brian. I think this one will be a big help for me to play clean through the song. At least that’s what I’m shooting for. Love these stand alone lessons too!
ranja says
Great song Brian!
Ron
James G says
I can’t wait to dive into yet another classic! Thanks Brian!
Michael Allen says
That’s the perfect guitar for another perfect lesson. Loved EP38 and this lesson is a great follow up to that lesson. Thanks Brian
Michael Allen says
Sorry that’s EP348
guild618 says
Another great lesson. Looking forward too getting this one down.
Jim M says
You just made my Friday evening alittle more enjoyable Brian.
Glenn says
I love the ragtime lessons. And whatever you paid it was not too much! I live in Costa Rica and am playing an Easton travel guitar (all I can get here, really, on my income). I like the Easton because I can easily sing over it without amplification. But listening to you playing a really good guitar is a joy.
Phil B says
I get to listen to your lessons here in the U.K. at about 7.00 am and it’s a great way to start the day and is a good reason to get up and start playing guitar ( apologies to the neighbours!).
jimbostrat says
Not Brian’s nice acoustic stuff I hope doesn’t disturb your neighbors, Phil!! By the way………we truly still miss your Benny Hill over here in the States!! Comedic genius!! Jim C.
Ian C says
Fabulous lesson for me. I love this sound.
Three songs I’ve returned to time and again over the last 12 months, worked out chord voicing to sound best and also to practice CAGED are ‘ Nobody loves you when you are down and out’ (original not Clapton version), ‘ I’ll see you in my dreams’, and ‘Hesitation Blues’ I try to play these in the ragtime style of this lesson. I can see lots of the embellishments taught in this lesson which I can straight away develop, adopt and apply to significantly improve my playing of these great songs.
Raymond P says
Wow, this song is beautiful, I love it. Looking forwarding to learning this one. Definitely one of my favorites.
Thanks Brian,
Ray P
brian-belsey says
I really like these solo ragtime lessons! The new/old Martin sounds terrific.
Les Brown says
Brian? Damn! These are my favorite lessons. Stuff I can play when someone says, “Play something!” You make me sound so good! Don’t know where you come up with them, but no one teaches as practically and effectively as you. Thank you so much!!
David M says
Spot on. Playing for decades and finally I have some great party pieces
magpie says
I am going to give this one a go. I like to be able to just pick up the acoustic and play a tune that sounds great on its own. Cracking guitar by the way. Thank Brian.
KEVIN F says
Another nice one. I love how you teach caged, chord embellishments , etc. in the context of lesser heard genres like western swing, ragtime, and jazz blues. Got yourself a nice niche carved out.
Israel U says
A masterpiece. I got no choice but stop everything I do and learn it. 🙂
Israel U says
OK, I learnt it. Now I can resume from where I stopped everything… 🙂
Kurt W says
WOW i need more time to get this lesson together!!!
sunburst says
A lot of new 7th chord arpeggios. especially the first D7 .. many these notes are easy to see in each chord .. really cool guitar and lesson
James W says
Thanks for another great lesson! After watching the news earlier in the week with all the storms in the Middle Tennessee area,I wasn’t sure if we would get one. Glad you and Arlo and the family are safe.
ben4given says
I love the lesson and especially the tone of that guitar. Are you just recording into a microphone? If so, what kind?
Roger says
Now see? There you go again. I am 80% through one project and you throw something shiney at me again. I absolutely LOVE Ragtime. I guess I will start working on this in the evenings while I finish the project I am working on in the mornings
Shane B says
I personally love these ragtime blues lessons. Thank you for your dedication and hard work each week. Hope you have a wonderful week.
Phil K says
Brian, love that ragtime blues! It sounds so good on that Martin. I have a 000-15sm that also loves the blues, but I have to admit that type of ragtime is my favorite. Keep it coming! I love those lessons buddy!!!!
Phil K.
Gary R says
I love the lessons. I listen and think yeah that’s pretty easy but I never sound anywhere near as you do. I can get close after a lot of practice. You are a great teacher. I’ve been playing for fifty years upside down. I wonder if you have any other students that play like Eric Gales or Dick Dale or Doyle Bramhall
Roger A says
Great lesson Brian as always. I love it when a great player like you says ‘I have trouble making that dim chord’. Thought it was just me. Great encouragement.
Love this ragtime blues style.
Shaun B says
Great stuff. Loving your lessons and your arrangements Brian. Glad I found your channel – one of the best on youtube.
thanks, Shaun
drlknstein says
wow , just got thru part one and I cant stop working out on that part where you added the Beatles “Blackbird” riff. I am (out of habit) working it up and down the neck from G to C and to F or starting from F or C……. ………….and trying to imagine using it in a jam.
..i knew it was blackbird as soon as you played it.
wouldnt mind seeing it again with more explanation in another lesson . I am a big fan of all the double stops that you teach (6’s…3rds, etc.) .use em all the time in jams
merci beaucoup
David M says
Appreciate the lesson, but i prefer more “Call and Response Blues” lessons, as opposed to Ragtime. Thanks
Andy N says
That Martin is continuing to inspire you Brian! Another great ragtime number to put on the, ever increasing, to-do list!
Really like the concept of playing over and around the chords too. So much to take in but spending time on this one will be hugely beneficial in all sorts of areas.
Thanks!
luis Sabbag Mambrini says
I know Americans don’t usually show their affection in public , but there we go: I LOVE YOU Brian , thanks for helping to improve my skills and deepening my understanding of Music as whole through these amazing lessons. aloha!
Brian says
haha – love you too man!
Paul S says
good fun thanks Brian
Bob L says
Brian. I rarely post but just wanted to let you know that the slow walk through video is a wonderful feature. It has been a great help to me. Thank you for sharing all you know so graciously and efficiently
Angelo I says
Every time I think I just love one certain style of guitar…boom, another lesson I must learn….This ragtime blues sounds so great and ALMOST looks easy.
guild618 says
That last chord or the song, C9, you must have a very strong and flexible pinky finger to make it that way.
richard p says
I just started Brian’s lessons about 3 weeks ago. Already, I’m finding that they’re getting a little easier to follow and play!! My technique still sucks… but, because these songs sound so good, I have MUCH more incentive to get the technique right. And, I say that I understand CAGED, and then I see Brian do something that I hadn’t thought of… it’s truly wonderful.
And, damn, I never thought that I liked ragtime… but, It’s kinda bluesy/jazzy/ragtime…I love this song!!!
Keep ’em comin, my favorite cool big brother…
Keith C says
It’s great that you’re doing this ragtime stuff Brian. Its seemed like ragtime on guitar was always the preserve of finger pickers and its great to have some ragtime teaching for flat picking. (No disrespect to Mr Grosman et al)
Duncan J says
It just shows how you can play them in different ways Keith. I’m playing this one fingerstyle because I’m hopeless with a pick! Give the other lessons I mentioned below a go, they’re great!
Keith C says
I’m the opposite Duncan, I’ve got a weak fingernail on my right hand second finger and also have never felt comfortable with a thumb pick so I’ve always had to try adapt what the fingerpickers are playing to flat pick. We all have to do it in our own way.
Duncan J says
I don’t use a thumb pick and use my middle finger on my picking hand, which is very unusual but just the way that feels comfortable for me and I get a pretty good sound. As you said, each to their own. I’m going to work on my flatpicking though. I’d love to play some of those fast bluegrass tunes one day!
Keith C says
Interesting to watch the great Chett Atkins do that kind of stuff – he played with thumb pick and fingers mostly but when he wanted to do one of those fast single note runs he gripped the thumb pick with his first finger and used it like a flatpick, kind of having it both ways as only a real master can do.
Duncan J says
Great lesson Brian. I’ve never posted before but just wanted to say thanks and how much I enjoyed this.
I love fingerstyle blues and ragtime and learned to play through Stefan Grossman’s site. I joined Active Melody to try and learn some new styles on electric and whilst that’s an ongoing and generally failing project, I’ve really enjoyed your no jam track acoustic lessons.
Some of my favourites are lessons like ep076, ep081, ep177 and ep202. They’re fun to play, sound authentic and are in my repetoire right alongside the classics. I’ll definitely be adding this one too!
Nick H says
I think the transition chord from G7 back to C9 is a G diminished.
Stephen T says
Bit late getting into this one (blame the Coronovirus!) but parts of it remind me of Ophelia by The Band.
fgray says
Hi Brian-When this lesson first came out I was able to view part 1-yesterday, part 1 won’t play-it says an error occurred. The parts of the lesson work fine. Thought you would want to know.
Peter L says
Hi Brian
I just learned the first half of this song from the free lesson, so of course I just had to join so I could continue this musical adventure. This is such a great song you’ve put together for us! I love it. These type of solo, no jam track or other instrument needed kind of songs are exactly what I was looking for. No one else seems to teach this kind of stuff and your easy learning style fits me. So I sincerely hope you will continue to make more of these kinds of lessons. Your helping us all avoid the Coronavirus blues! Thanks so much!
New yearly member
Pete.
daniele f says
Thanks BRIAN!
In particular for getting into where the chords come from ….my brain can get a little rigid and i understand i have to get away ….sometimes… from 1major 2&3 minor ect…
like the approach 2,5,1 to a 5th chord for example where 5 is major not minor like it should be in a regular scale . Anyway i appreciate your lessons very much ….oh!could you sometimes put the key signature ? again my stiff brain .
Thanks again .
Daniele
Dmitry L says
BRIAN!
I apologize for the bad English. I am delighted with your lessons. Thank you so much from Russia. I even bought myself an electric guitar thanks to you.
George C says
Brian-
Loved this lesson, keep them coming… Great job!
George M says
Love EP351, I really enjoy playing it. It is very fun to play. I would like to learn more songs in that style, could you please direct in the right direction to learn more songs in that style. Thank you
Daniel D says
Hi, this is a really good lesson for me. Just a bit above my skill level, but achievable, a fun tune with many moves and licks that can be easily applied in other songs. Love the D7 move to D#. And also enjoying it because, as you may remember, I have the guitar you are playing’s older brother, a 1943 000-21.
james s says
and another one ,, i can do this one to ,, no doubt a few would have seen me comment each time saying (i can do this one to) right its not a show of thing because first time i joined this site i left after a month because i couldnt do anything AT ALL ,, no its just an excitment thing ,, because this time round i can .. and its down to patience ,, and mainly Brians superb tuition ,, thankyou
james s says
Brian Ben4given has asked if you record this through a mic . or im asking this are you D.I it , as ben sais the tone is fantastic ,, could you pleaase answer when you get time , im sure we not the only ones curious thankyou
Earl M says
Love EP 351 75 year old here. Got it all except speed.
Thank You.
Martin G says
Hello from Scotland…been playing for over 40 years, great thing about music is you never stop learning! just came accross your website, love your teaching style and your compositions… this is great fun to play! thanks!
Charles D says
That C7 with the hammer on is a beast of a chord, in 15 years of playing I have never struggled this much to hit a chord the way you describe. Been working on it for two months now. Any tips???
David D says
Just great Brian, this one is gonna take me a month of Sundays to even get close! Meanwhile all those other great weekly lessons keep piling up. AAGH! Keep this up the levee’s gonna break. A veritable flood of info for the little grey cells to digest. Still way cool!Thanks Brian!
Dave in the Adirondacks 🤠
John says
Worked with a pic on this but I think it really is easy to play finger style and you get a nice bounce give it a try
Dan S says
I’m addicted to this. The style of ragtime has always alluded me . Hope for more, but I’ll be wrangling this for a while.
Chris S says
Got a admit it Brian, that 1948 Martin sure sounds sweet.
Thurman M says
I love playing this one. Thank you!