Description
In this week’s guitar lesson, you’ll learn how to play a slow and easy country blues lead that works on electric or acoustic guitar. This one is full of classic Western Swing, 6 chord ideas (like the ones Don Helms would play in those original Hank Williams recordings).
Part 1 - Free Guitar Lesson
Part 2 - For Premium Members
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Slow Walkthrough
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Video Tablature Breakdown
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Ian M says
So you’re modulating into the key of C from the F as the intro? Is that a common technique in country tonk?
Michael Allen says
I love it slow and easy! There a lot of good stuff in this lesson. I look forward to this every week Thanks Brian
BRENDAN G says
Another good one. Thanks
San Luis Rey says
Great to see the Dot back in action. I stayed with the last lesson even though finger style is hard for me. There is slow progress anyway and the dog heard less swearing! Looking forward to this one. Thanks Brian
tommc says
You know you have to use that guitar in EP335….
Simon P says
I love the way you think
PB says
hahaha!
Simon P says
Thanks for this one Brian, straight onto my logjammed list of next to learn.
Love the feel and sound of this style, could I request a lesson where you go one step further and give us some Hawaiian sounds?
Pleeeaaasssee?
charjo says
Really nice lead, Brian. So happy to see the 335 dot again, I associate it with so many of your early lessons.
John
Jim M says
Another outstanding lesson !!! Thank you, Brian.
Glenn says
It’s starting to sink in.
sciencefiction says
I don’t know how you can keep coming up with this stuff.
Amazing!!
SF
Chris R says
super take-aways! thanks!!
JohnStrat says
Thanks Brian lots here to take away JohnStrat
Raymond P says
Another great lesson Brian. I truly enjoy the detailed explanations you give each week, it makes understanding the hows and whys so much easier.
Keep up the great work
Thanks
Ray
PB says
So many gold nuggets in every lesson. Now that i have a firm grasp of CAGED and mixing of major and minor i can focus more on these great tips that Brian gives us in every lesson. Like the the 6 to the 9 slide or vise versa and the 4 off the 4 modulation! Great stuff!
Jerry G says
Nice Brian, I really like your enthusiasm and encouragement, useful info a guy can follow and learn quickly… thanks for all the tips…
cbuck says
great as always, you really need to do a theory series of lessons you have said one may be in the works ?
Will L says
Fab, just what I picked up a guitar to do!
David L says
Excellent. Love the jazzy Western swing lessons. Thanks Brian.
sunburst says
Wow ! I first want to say the 335 dot tone is perfect.. the lesson is simply amazing ..I know I’ll be going this over slow and looped..so much cool stuff going on here.. Brian you are dancing with your guitars! lol.. marvelous composition!
john m says
@15 min have you got the 6th 9th chords reversed? at 10th 12th fret
James S says
I noticed this too. In the second video.
James S says
Amazing lesson by the way!
Noshan G says
Amazing…..You are a true composer….guitar melodic maestro.
Gaylan A says
thanks for this great lesson. I’d love to see you do a series, if you haven’t, of short videos with ‘gap fillers’. For example, the explanation of going from the F to the Bb is revelatory. It’s not like I didn’t know both were right there, but just hadn’t put it together yet. Those kind of quick lesson tidbits are what I really need to help me connect between missing dots!
Love your work.
Paul S says
Super lesson! I think that little slide part that you’re not sure of the origin is a Les Paul move. I love his stuff with Mary Ford from the 50s.
Carl B says
This doesn’t seem to follow a typical 8 bar blues pattern so I’m wondering how you classify it.
leathersmith@mchsi.com says
Helpful lession, Brian. It’s most thing I used to play in country bands back in the day, but really ties things together with the chord shapes, in a more visual way. Nice 335. Exactly like the one I bought in 1961, only with a Bigsby tailpiece.
Christopher M says
Loving your lessons Brian. Any chance you can give us something in the style of Rick Holmstrom. He’s such a great player!
benny l says
GREAT LESSON BRIAN ! THE TEACHING YOU BE DOING HAS REALLY HELPED MY PLAYING! THANKS A MILLION AND KEEP UP THE GOOD WORK!
Jim G says
walking the 6th to the 9th was a sweet takeaway! thanks
Kathryn L says
I say what all the other say – good stuff!! Your patience in teaching is so good. I love this lesson! – for me, I need to find other places for the common 1st thru 3rd fret chords, although I am able to bar chords. So happy to be learning from you!
Clancy says
Thanks Brian. Please give us more songs like this EP333. I have been with you along time , I’m 84 years old, but i love playing and love to here songs like these.
drlknstein says
i am back here again because this lesson is awesome- I got some of the theory of using the 6 to the 9 chord etc and ive seen it before in your lessons but it takes some time for me to really get some of this stuff so the repitition is good for me so continue with the repitition
i am struggling with the concept of the relationship of the relative minor and the 6th chord so if it appears in other lessons that would be great for me
thanks
Mark says
Another great lesson! I was just thinking last night how much I have improved since I subscribed to your lessons.
The reason behind the six and root relationship isn’t too technical…Chords are every other note, so the root or 1 chord would be 1-3-5-7, but we usually don’t play the 7. If you start on the vi or sixth note of the scale, you run out of notes at seven and starts over again, so every other note would be 6-1-3-5. Only one note is different, we added a 6. (I edited the second word of that sentence from “theory” to “reason” so more people would keep reading to the end. LOL). Just trying to help others understand and remember.
brendan t says
I’m guessing Brian is working hard getting lessons ready for each week, just wondering does he ever respond to comments and questions
Brian says
I do